(via Snapshot: Ben Peek)
"The series is a kind of love letter to my teenage years, where I lived on a steady diet of fantasy novels, but written by my adult self, who perhaps would have very little to do with the person I was, then (which, really, is what most of us think, I assume). The adult me took a much more measured view to the world building, and began it from an ideological point of view. When I say that, I don’t mean the bit about the gods being dead, but I mean the world beyond that, the interactions of men and women, and race. A lot of fantasy is, either through design or not, conservative. Monarchist, patriarchial societies filtered through psuedo christian values. Not all of it, mind you, and sometimes that’s the exact point – but in a genre where dragons can appear, personal hygiene is of a higher standard than usual, and people kill without any real pause, I don’t really see much of a point to adhering to that conservative side. Which is a long way round of saying I approached my world building from a point of equality in terms of race and sex and sexuality, and I have used that as the base from which I have grown everything in the book, both in terms of basic prose, and in terms of plot, themes, etc." Ben Peek, on writing The Godless.
New book! 50 Roman Mistresses is a slender historywhump based on short essays from my blog.
"Here are fifty extraordinary women of Ancient Rome—virtuous wives and adulterous vixens, abductees and viragos, imperial mothers and mortals who became goddesses, all taking their place in history. "